Surface texture · NoxaraTHE MATERIAL EDIT
Afrina selection / Noxara
Pietra Grey / Lashotor Marble Noxara
Noxara gives Pietra Grey / Lashotor Marble a cooler smoke-grey to charcoal reading, crossed by restrained pale diagonal lines. The supplied face, length and edge photographs allow a more complete review of the stone's drawing.
Consider a composition that lets quieter veining sit against larger grey planes. Confirm individual pieces and joint positions before committing to a continuous surface.
Enquire about this selectionPhotographs show appearance, not tested performance. Confirm available formats, finishes, quantities and suitability using the actual sample, batch and project requirements.
Pietra Grey / Lashotor Marble
Known internationally as Pietra Grey and in Iran as Lashotor, this marble combines a grey-to-charcoal ground with contrasting pale veins. The two Afrina selections reveal different warmth and vein intensity, allowing a more deliberate match to an interior palette.
From stone to architecture
Explore entrance floors, feature walls, stair compositions and statement furniture surfaces. View complete pieces to plan vein direction and junctions; a small sample cannot describe the full drawing.
Selection & care
Marble can be etched by acids. Countertop, table and basin references need care and use requirements assessed for their setting.
Faces, edges & surface detail
Explore every view. Tap to enlarge; swipe or use the arrows to compare. Pinch to inspect details.
Pieces in sequence
Upright pieces reveal several neighbouring faces and their individual vein paths.
Compare neighbouring pieces for changes in tone and pattern. Agree the selection range and panel sequence before cutting; the photograph does not establish current stock or quantities.
Proportions and material direction
The tall, narrow visible faces emphasise the lengthwise movement of the pattern.
Follow the pattern along the long face to consider a vertical or horizontal layout. Final module sizes and cutting plans depend on the available pieces and approved project drawings.
Overall material view
Slender bright veins run largely along the tall dark faces, with smaller branching lines.
This wider view gives context for the individual close-ups. Compare the visible formats and pattern distribution without inferring an available quantity or a guaranteed uniform batch.
Pieces in sequence
Stacked cut pieces show the relationship between their faces, edges and repeated formats.
Compare neighbouring pieces for changes in tone and pattern. Agree the selection range and panel sequence before cutting; the photograph does not establish current stock or quantities.
Oblique view of the face
Slanting veins cross the visible face at different intervals.
The angled view makes light and perspective more apparent. Compare it with the front view to assess visual variation; photographed proportions are not confirmed dimensions.
Face and vein direction
Pale veins cross the grey field at several angles rather than following one repeated line.
Read the pattern across the visible face and compare where lines enter and leave each piece. Plan the cutting direction from the approved slabs rather than expecting identical panels.
Face and vein direction
Soft tonal clouds and smaller markings interrupt the background.
Read the pattern across the visible face and compare where lines enter and leave each piece. Plan the cutting direction from the approved slabs rather than expecting identical panels.
Side-by-side comparison
Reflections cross the photographed face and change its apparent brightness.
Look at the transition between adjacent faces, including the spacing and direction of markings. Discuss continuity and acceptable variation with the actual pieces selected for the project.
Overall material view
Pieces of different visible proportions make it easier to compare pattern scale and direction.
This wider view gives context for the individual close-ups. Compare the visible formats and pattern distribution without inferring an available quantity or a guaranteed uniform batch.
Face and vein direction
A longer vein can be followed across the face alongside finer lines.
Read the pattern across the visible face and compare where lines enter and leave each piece. Plan the cutting direction from the approved slabs rather than expecting identical panels.
Appearance varies with light, viewing angle and individual pieces. Confirm the actual batch and finish with a physical sample.
See the stone in motion
A moving view of the photographed selection. Pause, scrub and compare the visible surface and edges with the still photographs before discussing the actual batch.
From stone to architecture
Explore every view. Tap to enlarge; swipe or use the arrows to compare. Pinch to inspect details.
Application references for this stone family. Colour, veining and layout vary with the chosen material; these images do not identify a particular selection or an Afrina-supplied project.
Steps and stone continuity
Treads, risers and adjoining surfaces show how separate stone pieces form a continuous route. Confirm edge details, dimensions, drainage where relevant and slip requirements for the actual finish.
Wall planes and vein alignment
Large stone panels create a clear wall plane, with joints becoming part of the composition. Compare vein alignment, lighting and nearby materials; confirm the actual panel layout and fixing system for the project.
A veined stone table
The tabletop places bright veins against a darker field, framed by warm wood and seating. Review vein direction, edge profile and support design; the photograph does not establish stain or acid resistance.
Circulation, light and floor pattern
The passage shows how floor movement, wall planes and reflected light shape depth. Compare the visual rhythm and transitions, then specify actual finish, cleaning and wet-use requirements for the chosen stone.
Basin, edges and dark stone
The angular basin combines dark veined faces with lighter surrounding surfaces. Study corners, joints and the relationship to the tap; assess water exposure, cleaning and fabrication details before specification.
Application references for this stone family. Colour, veining and layout vary with the chosen material; these images do not identify a particular selection or an Afrina-supplied project.
Plan your material order
Approve the actual material and finish, including visible natural variation, before fabrication. Ask for dimensions and available quantities rather than treating the photographs as a live stock list.
Share your application, preferred finish, dimensions, quantity and destination. Request current material photographs and a sample before confirming the order.
